<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Ursula-K-Le-Guin on Signal Through Static</title><link>https://signalthroughstatic.cc/casefiles/ursula-k-le-guin/</link><description>Recent content in Ursula-K-Le-Guin on Signal Through Static</description><generator>Hugo</generator><language>en</language><copyright>© 2026 S. Caronia / J. Miller · &lt;a href="https://github.com/josephusm/blog/blob/main/LICENSE" target="_blank" rel="noopener">CC BY-NC-SA 4.0&lt;/a> · &lt;a href="https://github.com/josephusm/blog/blob/main/COPYRIGHT" target="_blank" rel="noopener">Copyright&lt;/a></copyright><lastBuildDate>Thu, 18 Jun 2026 00:15:00 +0200</lastBuildDate><atom:link href="https://signalthroughstatic.cc/casefiles/ursula-k-le-guin/index.xml" rel="self" type="application/rss+xml"/><item><title>The Wall Has No Outside</title><link>https://signalthroughstatic.cc/signals/the-wall-has-no-outside/</link><pubDate>Thu, 18 Jun 2026 00:15:00 +0200</pubDate><guid>https://signalthroughstatic.cc/signals/the-wall-has-no-outside/</guid><description>&lt;p>Ursula K. Le Guin&amp;rsquo;s &lt;em>The Dispossessed&lt;/em> is often called an ambiguous utopia. The phrase is accurate, but too polite. The book is sharper than that. It is a novel about a revolution that has survived long enough to become ordinary, and therefore dangerous to itself. Its great subject is not whether Anarres is better than Urras. It is what happens when a society built to abolish domination begins to produce domination in forms it no longer knows how to name.&lt;/p></description></item></channel></rss>